From
the Village Voice-
Painting à la Mode by Jerry Saltz December 4 - 10, 2002:
"I love painting; so do you. But hear this: Not with standing
its near death experience (what one critic called its "passage
through the eye of the Minimal-Conceptual needle in the late 1960s and
early 1970s"), except for a few curmudgeons, the pleasure police
at October, some pedantic curators, and maybe Arthur Danto, no one thinks
painting is dead. More importantly, no one has actually thought this
since the Nixon administration.
We need to get over the painting-as-victim-and-victor complex. Painting
is much in evidence in galleries and art schools. As always, collectors
covet it. Like many recurrent avant-garde ideas, this one is self-serving
belly-button gazing. We need to stop thinking painting is fighting for
its life and that we're saving it. It isn't and we're not.
Nonetheless,
many painters seek shelter in this position, cling to it, or act as
if they were involved in some sort of noble rescue mission. The only
thing painting needs rescuing from is those presumptuous artists who
treat it as if it needs protecting—the ones who think theirs was
the last generation that really understood the medium. Painting is one
of the greatest visionary tools ever invented, and among the most effective
ways to alter reality, see it better, or invent a new one. Painting
gives permission, it doesn't ask for it; it not only
explores consciousness, it changes it."
Eliasson's Elegant Universe
Room With a View
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